2024年4月7日-狗急加速器


0 Flares 0 Flares ×

. 

shadowrocket下载官网

editorial director’s note
By Grace Aneiza Ali 

Women’s Work: Art & Activism in the 21st Century on view at Pen and Brush in New York City takes as a point of anti-departure, Oxford Dictionary’s definition of women’s work as: “Work traditionally and historically undertaken by women, especially tasks of a domestic nature such as cooking, needlework, and child rearing.” Despite the last century of groundbreaking, audacious change and catalysts, the dictionary still hasn’t caught up to us. Neither a dismissal nor a trivializing of this definition, the exhibition is grounded in the belief that all women’s work, within the realm of the domestic and beyond, is valuable. However, it acknowledges that the definition has rightly evolved, and must continue to do so, across centuries and geographies.

Women’s Work presents five global contemporary artists-activists who continue to expand the definition of women’s work and expose its complexity, nuance, and ever-evolving nature. Through dynamic art practices, they generously lend their intelligence, thoughtfulness, artistry and agency to reimagine women’s work as arts activism in the 21st century.

For Sama Alshaibi, that work is to re-visualize the historical and contemporary image of the Middle Eastern woman. For Cuban-born María Magdalena Campos-Pons, women’s work is rooted in the intersections of art and healing. In challenging the dismissal of women’s handmade traditions, Suchitra Mattai works to elevate the artistry of women of the Indian Diaspora. Through her portraiture of Malagasy women, Miora Rajaonary usurps a history of Madagascar rarely written by women. And, for Ming Smith, to bear witness, to document, to show up and be present in lands near and distant, is women’s work.

Collectively, these artists remind us that women’s work is rooted in activism, justice, healing, service, and resistance. Women’s Work is a provocation for us all—to reclaim the term and to make space for its reinventions and future possibilities.

 

Featured Articles

shadowrocket下载官网

Sama Alshaibi: Strength as a Constant

BY shadowrocket下载官网

Central to Sama Alshaibi’s practice is the artist-as-activist stance her work communicates via a recurring female protagonist. In Carry Over, a series of gumoils featuring historic practices of ‘women’s work’ woven among subjects that question past and present injustices, the female protagonist is once more on view in a variety of socio-historical gazes. There is an embrace yet contradiction to all that we think we know about women through visual culture transmitted over centuries—from odalisque paintings, to early photography, and more recently, photojournalism and 21st century digital media outlets.

..

 

杜宇 - CEO - 成都小火箭科技有限公司 | LinkedIn:成都小火箭科技有限公司董事长/ 四川省增材制造协同创新服务中心主任 四川 成都 458 位好友 加入领英,建立联系 ... 杜宇共享 #创业日记 创业者的12时辰 https://lnkd.in/f9qUSQT 杜宇共享 最近香港捣乱有点严重, 光一味谴责,是不能解决问题的。 香港的房价 ...

BY TAO LEIGH GOFFE 

Cuban-born artist María Magdalena Campos-Pons beckons the audience to experience her personal history, the history of Cuba, and the trauma and resilience of African enslavement and Chinese indenture, which are both part of her ancestry. The spiritual and the ritual are central to her oeuvre. In Angel’s Trumpets, Devil’s Bells, featuring Cuba’s campana flower, the nine panels signify separation, segmentation, exile, and cohesion as the poetics of the diasporic condition.

 

 

 

 

Suchitra Mattai: Delicate Unravelings shadowrocket下载官网

BY  MARISA LERER

Suchitra Mattai illuminates women’s work through intermedia projects that reflect both tradition and technological rifts and shifts. Found and readymade objects, from vintage saris to cut-up magazines, populate Mattai’s oeuvre. The artist uses woven textiles, mass-produced objects, and video as materials to create invented landscapes—often inhabited with women protagonists (or traces of them)—that are reflective of diasporic histories and inter-generational memories.

 

 

Miora Rajaoanary: The Dignified Gaze of Malagasy Women

BY 小火箭共享

In her attuned gaze, evidenced by the collaboration and deep sense of intimacy between the artist and her multi-generational Malagasy subjects, Miora Rajaonary arrays the style, substance, power, and beauty in her portraits of women from Madagascar. In doing so, she imagines and accumulates a new set of narratives, first for herself as a Malagasy woman, and secondly for a larger purpose of representing women from a part of the world that largely remains under-the-radar.

 

..

 

 

Ming Smith: We Are the Work

BY MIRIAM ROMAIS 

History, and art history, repeatedly show us how women have been disregarded and continue to be omitted. In these images, photographer Ming Smith is creator, mother, and photographer. An artist asserting herself—quite literally inserting herself—in ways that confront the invisibility the world has imposed.

0 Flares Facebook 0 Twitter 0 0 Flares ×
0 Flares Facebook 0 Twitter 0 0 Flares ×
vnp免费破解版  鱼跃vpn  猫王加速器破解版  vivo怎么下载ins  怎样登录外网的软件  西柚加速器官网入口,西柚加速器官网,西柚加速器最新版本,西游加速器官方版  996程序员下载地址,996程序员vnp,996程序员免费永久加速,996程序员2024  启点加速器电脑版下载,启点加速器2024年,启点加速器打不开了,启点加速器vqn